{"id":2400,"date":"2011-03-10T11:37:43","date_gmt":"2011-03-10T16:37:43","guid":{"rendered":"http:\/\/martinepage.com\/blog\/?p=2400"},"modified":"2011-03-10T11:50:29","modified_gmt":"2011-03-10T16:50:29","slug":"femmes-cinema-et-critique","status":"publish","type":"post","link":"https:\/\/www.martinepage.com\/blog\/2011\/03\/10\/femmes-cinema-et-critique\/","title":{"rendered":"Femmes, cin\u00c3\u00a9ma et critique"},"content":{"rendered":"<p>La AWFJ &#8211; <a href=\"http:\/\/awfj.org\/about\/\">Alliance of Women Film Journalists<\/a> &#8211;  d\u00c3\u00a9cerne chaque ann\u00c3\u00a9e des prix aux meilleurs films de l&rsquo;ann\u00c3\u00a9e pr\u00c3\u00a9c\u00c3\u00a9dente. Comme le rapporte <a href=\"http:\/\/www.hollywoodreporter.com\/blogs\/race\/5-scenes-nudity-sexuality-seduction-65329\">The Hollywood Reporter<\/a>, cette association a un humour particulier qui se refl\u00c3\u00a8te dans le choix de certaines cat\u00c3\u00a9gories :<\/p>\n<p>-Movie You Wanted To Love But Just Couldn\u00e2\u20ac\u02dct<br \/>\n-Actress Defying Age and Ageism<br \/>\n-Sexist Pig Award<br \/>\n-Most Egregious Age Difference Between The Leading Man and The Love Interest Award<br \/>\n-Best Depiction Of Nudity, Sexuality, or Seduction<br \/>\n-Unforgettable Moment Award<\/p>\n<p>La liste des gens et des films en nomination est <a href=\"http:\/\/awfj.org\/eda-awards\/2010-eda-awards-nominees\/\">ici<\/a> et les gagnants sont <a href=\"http:\/\/awfj.org\/eda-awards\/2010-eda-award-winners\/\">ici<\/a>.<\/p>\n<p>Le site Web de la AWFJ rapporte aussi les r\u00c3\u00a9sultats d&rsquo;une \u00c3\u00a9tude d\u00c3\u00a9montrant que <a href=\"http:\/\/awfj.org\/hot-topic\/thumbs-down-representation-of-women-film-critics-in-the-top-100-us-newspapers-a-study-by-dr-martha-lauzen\/\">plus de 70% des critiques de films sont faites par des hommes<\/a>. L&rsquo;article se conclut ainsi:<\/p>\n<blockquote><p>In summary, women are under-employed as reviewers of film in the nation\u00e2\u20ac\u2122s 100 largest circulation newspapers. Not only are women outnumbered as film critics, staff writers, other types of critics, and freelancers, women also review fewer films on average than men. In addition, larger proportions of the films reviewed by women are for films with romantic themes, and those with women filmmakers and women protagonists or ensemble casts. However, the actual reviews written by men and women do not differ significantly in their length or nature. Women and men write equally positive and negative reviews and do not become significantly more positive when writing about films with same-sex protagonists or filmmakers.<\/p>\n<p>Overall, these findings suggest that film criticism in this country\u00e2\u20ac\u2122s newspapers is largely a male enterprise, echoing the predominance of men working on screen and behind the scenes in the film industry.<\/p><\/blockquote>\n<p>Dans la foul\u00c3\u00a9e cette semaine de <a href=\"http:\/\/www.ledevoir.com\/culture\/cinema\/318299\/les-filles-de-vues-restent-rares\">l&rsquo;annonce<\/a> faite par le regroupement des <a href=\"http:\/\/www.realisatrices-equitables.com\/\">R\u00c3\u00a9alisatrices \u00c3\u2030quitables<\/a> concernant la publication de l&rsquo;\u00c3\u00a9tude \u00c2\u00abEncore pionni\u00c3\u00a8res &#8211; Parcours des r\u00c3\u00a9alisatrices qu\u00c3\u00a9b\u00c3\u00a9coises en long m\u00c3\u00a9trage fiction\u00c2\u00bb, il pourrait \u00c3\u00aatre int\u00c3\u00a9ressant de faire le m\u00c3\u00aame exercice au Qu\u00c3\u00a9bec concernant la critique!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La AWFJ &#8211; Alliance of Women Film Journalists &#8211; d\u00c3\u00a9cerne chaque ann\u00c3\u00a9e des prix aux meilleurs films de l&rsquo;ann\u00c3\u00a9e pr\u00c3\u00a9c\u00c3\u00a9dente. Comme le rapporte The Hollywood Reporter, cette association a un humour particulier qui se refl\u00c3\u00a8te dans le choix de certaines cat\u00c3\u00a9gories : -Movie You Wanted To Love But Just Couldn\u00e2\u20ac\u02dct -Actress Defying Age and Ageism&hellip; <a class=\"more-link\" href=\"https:\/\/www.martinepage.com\/blog\/2011\/03\/10\/femmes-cinema-et-critique\/\">Continue reading <span class=\"screen-reader-text\">Femmes, cin\u00c3\u00a9ma et critique<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,5,12,7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/2400"}],"collection":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/comments?post=2400"}],"version-history":[{"count":8,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/2400\/revisions"}],"predecessor-version":[{"id":2408,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/2400\/revisions\/2408"}],"wp:attachment":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/media?parent=2400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/categories?post=2400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/tags?post=2400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}