{"id":3285,"date":"2020-06-16T11:09:17","date_gmt":"2020-06-16T16:09:17","guid":{"rendered":"http:\/\/www.martinepage.com\/blog\/?p=3285"},"modified":"2021-05-06T11:34:00","modified_gmt":"2021-05-06T16:34:00","slug":"une-voix-sans-voix-off","status":"publish","type":"post","link":"https:\/\/www.martinepage.com\/blog\/2020\/06\/16\/une-voix-sans-voix-off\/","title":{"rendered":"Une voix sans voix off"},"content":{"rendered":"\n<p>Sur son blogue, <a href=\"https:\/\/www.cassandrapages.com\/the_cassandra_pages\/2020\/06\/hermit-diary-29-on-journals.html\">Beth<\/a> offre une r\u00e9flexion tr\u00e8s int\u00e9ressante sur l&rsquo;\u00e9criture du journal intime. En r\u00e9f\u00e9rence \u00e0 Thomas Merton, elle dit :<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>He had left the academic world of New York in order to seek God and some sort of personal overhaul. He was aiming at authenticity, transparency, honesty, directness, egolessness&#8230; and yet he learned how the very act of writing &#8212; which he couldn\u2019t help, couldn\u2019t give up completely &#8212; became a trap for the ego. He talks about it a lot. This was his huge struggle: the need to say what he saw and felt out of the depths of his contemplative experience, to communicate it to others, and to try to make a difference in a broken world, but how writing can become performance that addictively seeks something else entirely: admiration, praise, fame.&nbsp;<\/p><\/blockquote>\n\n\n\n<p>\u00c7a m&rsquo;a fait penser \u00e0 un <a href=\"https:\/\/www.theguardian.com\/books\/2019\/oct\/30\/my-early-diaries-filled-me-with-so-much-shame-i-burned-them-im-publishing-the-rest\">texte de l&rsquo;autrice Helen Garner<\/a> que j&rsquo;ai lu r\u00e9cemment dans The Guardian. Elle raconte l&rsquo;exp\u00e9rience p\u00e9nible de replonger dans ses vieux journaux intimes :<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>A few years ago I had a huge bonfire in my backyard and burned all my diaries up to the point where Yellow Notebook begins. I did this because when I went through the cartons of exercise books one day, looking for what I\u2019d written around the time of the dramatic\u00a0dismissal of the Whitlam government,\u00a0I found to my astonishment that I hadn\u2019t even mentioned it.<br>That day, crouching over the crates in the laundry, I was soon so bored with my younger self and her droning sentimental concerns that there was nothing for it \u2013 this shit had to go.\u00a0<\/p><\/blockquote>\n\n\n\n<p>Elle a quand m\u00eame fini par y trouver du mat\u00e9riel qui avait une certaine valeur de partage, mais le travail d&rsquo;\u00e9dition des \u00e9crits en question n&rsquo;a pas \u00e9t\u00e9 facile. Je n&rsquo;ai pas (encore) lu <a href=\"https:\/\/www.theguardian.com\/books\/2019\/nov\/05\/helen-garner-yellow-notebook-diaries-self-doubt\">le r\u00e9sultat publi\u00e9<\/a>, mais les r\u00e9flexions qu&rsquo;elle tire de ce travail sont d&rsquo;une pertinence cinglante :<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>And of course I soon found myself, day after day, strapped into the straitjacket that is the very nature of a diary: it\u2019s got a voice, it\u2019s entirely&nbsp;<em>composed<\/em>&nbsp;of voice, but it has no voice<em>over<\/em>. It exists in an eternal present.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Sur son blogue, Beth offre une r\u00e9flexion tr\u00e8s int\u00e9ressante sur l&rsquo;\u00e9criture du journal intime. En r\u00e9f\u00e9rence \u00e0 Thomas Merton, elle dit : He had left the academic world of New York in order to seek God and some sort of personal overhaul. He was aiming at authenticity, transparency, honesty, directness, egolessness&#8230; and yet he learned&hellip; <a class=\"more-link\" href=\"https:\/\/www.martinepage.com\/blog\/2020\/06\/16\/une-voix-sans-voix-off\/\">Continue reading <span class=\"screen-reader-text\">Une voix sans voix off<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,8,19,4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/3285"}],"collection":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/comments?post=3285"}],"version-history":[{"count":4,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/3285\/revisions"}],"predecessor-version":[{"id":3389,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/3285\/revisions\/3389"}],"wp:attachment":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/media?parent=3285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/categories?post=3285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/tags?post=3285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}