{"id":64,"date":"2002-11-03T19:32:00","date_gmt":"2002-11-04T00:32:00","guid":{"rendered":"http:\/\/martinepage.com\/wp\/2002\/11\/03\/85635339\/"},"modified":"2002-11-03T19:32:00","modified_gmt":"2002-11-04T00:32:00","slug":"85635339","status":"publish","type":"post","link":"https:\/\/www.martinepage.com\/blog\/2002\/11\/03\/85635339\/","title":{"rendered":"85635339"},"content":{"rendered":"<p><b>Extase cin\u00c3\u00af\u00c2\u00bf\u00c2\u00bdmatographique<\/b><\/p>\n<p><IMG SRC=\"\/blog\/images\/souslesable.jpg\" border=\"0\" width=\"200\" height=\"180\" alt=\"Charlotte Rampling dans Sous le sable.\"><\/a><\/p>\n<p>Cadr\u00c3\u00af\u00c2\u00bf\u00c2\u00bd serr\u00c3\u00af\u00c2\u00bf\u00c2\u00bd, le visage d&rsquo;une femme, couch\u00c3\u00af\u00c2\u00bf\u00c2\u00bde. \u00c3\u00af\u00c2\u00bf\u00c2\u00bdmouvant et expressif, m\u00c3\u00af\u00c2\u00bf\u00c2\u00bdme lorsqu&rsquo;il est vu \u00c3\u00af\u00c2\u00bf\u00c2\u00bd l&rsquo;envers. Six mains caressent ce visage et deux de ces mains appartiennent \u00c3\u00af\u00c2\u00bf\u00c2\u00bd la femme. La peine et la confusion se m\u00c3\u00af\u00c2\u00bf\u00c2\u00bdlent au plaisir de Marie, qui s&rsquo;accorde un r\u00c3\u00af\u00c2\u00bf\u00c2\u00bdpit hors d&rsquo;une r\u00c3\u00af\u00c2\u00bf\u00c2\u00bdalit\u00c3\u00af\u00c2\u00bf\u00c2\u00bd trop p\u00c3\u00af\u00c2\u00bf\u00c2\u00bdnible \u00c3\u00af\u00c2\u00bf\u00c2\u00bd vivre.<\/p>\n<p>Pas besoin de musique. Pas besoin de mouvements de cam\u00c3\u00af\u00c2\u00bf\u00c2\u00bdra \u00c3\u00af\u00c2\u00bf\u00c2\u00bdlabor\u00c3\u00af\u00c2\u00bf\u00c2\u00bds. Rien qu&rsquo;un moment pur. Un pur moment de cin\u00c3\u00af\u00c2\u00bf\u00c2\u00bdma par un cin\u00c3\u00af\u00c2\u00bf\u00c2\u00bdaste qui a compris le pouvoir de l&rsquo;image et la force des mots absents.<\/p>\n<p>J&rsquo;ai enfin vu <a href=\"http:\/\/www.francois-ozon.com\/francais\/ozon.entretiens02.html\">Sous le sable<\/a>, de Fran\u00c3\u00af\u00c2\u00bf\u00c2\u00bdois Ozon. Un beau, beau moment de cin\u00c3\u00af\u00c2\u00bf\u00c2\u00bdma. R\u00c3\u00af\u00c2\u00bf\u00c2\u00bdussir ainsi \u00c3\u00af\u00c2\u00bf\u00c2\u00bd montrer l&rsquo;ennui et la peine, sans jamais \u00c3\u00af\u00c2\u00bf\u00c2\u00bdtre ennuyant, tient carr\u00c3\u00af\u00c2\u00bf\u00c2\u00bdment de la gr\u00c3\u00af\u00c2\u00bf\u00c2\u00bdce. Il fallait beaucoup de talent aussi pour maintenir ce suspense dans un film dont la seule v\u00c3\u00af\u00c2\u00bf\u00c2\u00bdritable action se d\u00c3\u00af\u00c2\u00bf\u00c2\u00bdroule dans les 15 premi\u00c3\u00af\u00c2\u00bf\u00c2\u00bdre minutes (la disparition du mari). La participation de l&rsquo;auteure <a href=\"http:\/\/www.lemonde.fr\/article\/0,5987,3260-6067-216548-,00.html\">Emmanu\u00c3\u00af\u00c2\u00bf\u00c2\u00bdle Bernheim<\/a> comme co-sc\u00c3\u00af\u00c2\u00bf\u00c2\u00bdnariste a s\u00c3\u00af\u00c2\u00bf\u00c2\u00bdrement jou\u00c3\u00af\u00c2\u00bf\u00c2\u00bd pour beaucoup dans cet air de myst\u00c3\u00af\u00c2\u00bf\u00c2\u00bdre du quotidien. \u00c3\u00af\u00c2\u00bf\u00c2\u00bda aide aussi, bien s\u00c3\u00af\u00c2\u00bf\u00c2\u00bdr, que cette femme soit jou\u00c3\u00af\u00c2\u00bf\u00c2\u00bde par Charlotte Rampling. Quelle pr\u00c3\u00af\u00c2\u00bf\u00c2\u00bdsence! Et cette robe rouge \u00c3\u00af\u00c2\u00bf\u00c2\u00bd la coupe parfaite qu&rsquo;elle portait dans cette sc\u00c3\u00af\u00c2\u00bf\u00c2\u00bdne! <\/p>\n<p>Et puis \u00c3\u00af\u00c2\u00bf\u00c2\u00bda prenait bien un film fran\u00c3\u00af\u00c2\u00bf\u00c2\u00bdais pour nous montrer des gens encore sexuellement actifs et s\u00c3\u00af\u00c2\u00bf\u00c2\u00bdduisants \u00c3\u00af\u00c2\u00bf\u00c2\u00bd l&rsquo;aube de la soixantaine&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Extase cin\u00c3\u00af\u00c2\u00bf\u00c2\u00bdmatographique Cadr\u00c3\u00af\u00c2\u00bf\u00c2\u00bd serr\u00c3\u00af\u00c2\u00bf\u00c2\u00bd, le visage d&rsquo;une femme, couch\u00c3\u00af\u00c2\u00bf\u00c2\u00bde. \u00c3\u00af\u00c2\u00bf\u00c2\u00bdmouvant et expressif, m\u00c3\u00af\u00c2\u00bf\u00c2\u00bdme lorsqu&rsquo;il est vu \u00c3\u00af\u00c2\u00bf\u00c2\u00bd l&rsquo;envers. Six mains caressent ce visage et deux de ces mains appartiennent \u00c3\u00af\u00c2\u00bf\u00c2\u00bd la femme. La peine et la confusion se m\u00c3\u00af\u00c2\u00bf\u00c2\u00bdlent au plaisir de Marie, qui s&rsquo;accorde un r\u00c3\u00af\u00c2\u00bf\u00c2\u00bdpit hors d&rsquo;une r\u00c3\u00af\u00c2\u00bf\u00c2\u00bdalit\u00c3\u00af\u00c2\u00bf\u00c2\u00bd trop p\u00c3\u00af\u00c2\u00bf\u00c2\u00bdnible \u00c3\u00af\u00c2\u00bf\u00c2\u00bd vivre. Pas&hellip; <a class=\"more-link\" href=\"https:\/\/www.martinepage.com\/blog\/2002\/11\/03\/85635339\/\">Continue reading <span class=\"screen-reader-text\">85635339<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/64"}],"collection":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/comments?post=64"}],"version-history":[{"count":0,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/posts\/64\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/media?parent=64"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/categories?post=64"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.martinepage.com\/blog\/wp-json\/wp\/v2\/tags?post=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}