Writers protest

… while network entertainment executives discuss the future of television.

« Television’s reality intruded upon network entertainment chiefs Tuesday when disgruntled reality show writers barged in to a gathering of industry leaders to seek more pay.

More than 1,000 TV writers want their benefits to catch up with scribes of comedies and dramas, and about a dozen of their representatives interrupted a discussion with the entertainment presidents of ABC, CBS, NBC, Fox, UPN and the WB at the Waldorf Astoria.

It’s not the most comfortable topic for television executives anyway, since acknowledging all of the writers indicates there’s something less than real about reality TV.

Another indication of changing times for TV came within the discussion itself. For about the first half of the annual gathering – traditionally an opportunity for television executives to take stock of the fall season – the talk was about business and technology, not about programming. »

From the LA Daily News.

More on this protest at the Writers Guild of America.

Writers get Lost

There’s an interesting article by Emru Townsend in the latest issue of Canadian Screenwriter Magazine called The Revolution is Being Televised. (Unfortunately, only a small section of that magazine is available online and this article is not part of it). Townsed asks the question: What does the re-invention of television technology (cell phone, iPod, etc) mean for writers?

« For now, some networks are « airing » selected past episodes of their offerings on the Internet. Some of the more adventurous, like Cartoon Network, are planning to premiere episodes of new series online.

The interesting thing about this discussion so far is how little it involves creators. Directors are rarely spoken of, and writers even less. Content may be king, but right now the majors are most concerned with repurposing existing content. At best, original content – such as web only programming – is an extension of existing properties. »

I was searching for more articles on the Web about this subject when I came upon this freshly posted item on Hollywood Reporter:

« The mysteries of ABC’s « Lost » are about to get bigger — and smaller.

The Emmy-winning hit is spawning a second series for mobile phones in a deal soon to close with a major U.S. carrier, sources said. About 20 episodes — each several minutes long — are being shot next month in Hawaii to hit phones sometime early next year.

The deal is a fresh example of the broadcast networks’ rush to embrace portable media — but this time with original content. Titled « Lost Video Diaries, » the series will introduce two characters said to be stranded alongside the cast featured on the primetime version. As fans of the series know, not all of the dozens of survivors of the fictional plane crash depicted on the series get screen time. While the story lines of the pair will be new to « Lost » viewers, the events depicted in the primetime version will inform their story lines. »

I often wonder what my career will be like in 3 to 5 years – that is, when I manage to shut off the voices that tell me I might have to go work at Tim Hortons. Will I get involved in writing original « mini stories » for cell phones, PDAs or game consoles? Will it be natural for all writers to venture into these mediums? And most importantly, will we get paid fairly for content that we wrote for movies or television that gets repurposed on other platforms?

Speaking of Lost, I really enjoyed last night’s show, and not only because I’m a big fan of Michelle Rodriguez (move over, Evangeline Lilly. Michelle really knows how to kick ass ;-) The beat of the show was very fast and even though we already knew what the outcome was (the two groups meeting), it still managed to remain suspenseful. I love the freedom the writers give themselves with the story and time lines on this show. I really had doubts that they could maintain my interest through a second season but so far, I’m amazed to say they do.

Booze & The Muse

« In the late 1970s, the psychiatrist Donald W Goodwin conducted a study of the big names in 20th century American letters, and found that 71% of them �drank to excess � a rate far higher than any other profession surveyed�. He concluded that writing requires a particular strain of exhibitionism, curiosity and self-confidence that can be enhanced with alcohol, the effect of which then eats into the discipline and concentration that are also essential to the process. »

From Booze & The Muse: a Heady Cocktail, in the Sunday Herald Online.

Some people love everybody when they drink. Other people love everything they write… until they wake up next to their words the morning after.

via Bookslut.